Created by a design team from the University of Montreal, it depicts a once famous musician, tickling the keys and tapping his white leather shoes to the beat of his memories. "But the biggest ovations last week were reserved for Tony de Peltrie. In the week after the show in San Francisco, Time magazine concluded a two-page article about the Festival with the words: It received more than 20 awards worldwide and garnered coverage in hundreds of magazines. Reception Ĭritics and audiences were enthusiastic about Tony de Peltrie. Bergeron gave at the conference the lecture: "Controlling Facial Expressions and Body Movements in the Computer Generated Animated Short Tony De Peltrie". On the 12th SIGGRAPH Film & Video Show in San Francisco in July 1985, Philippe Bergeron and Pierre Lachapelle presented the film Tony de Peltrie for the first time. For conversion of the face and body from analog to digital, a GRADICON digitizer was used, and for the rehearsal and filming a Bolex 16 mm and an Animation Oxberry 35 mm camera.
The images were calculated with four times the resolution so that no staircase effect emerged. The image resolution of the monitor was 512 x 512 pixels. The computer monitor was a GRID TECHNOLOGIES ONE / 25S screen with a 24er card that had a range of 16 million colors. To calculate an image with the mainframe computers then, took five minutes.
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įor the software development and interactive creation, the team worked with the 3-D interactive graphics program Taarna and the mainframe computers CDC CYBER 835, 855. Every time a new network of black lines with control points was drawn on the faces, which were required for the animation. The face and body were sculpted by Langlois in clay and re-modeled according to the desired feeling of the expressions. Daniel Langlois had trained as a designer and computer animator for movies and was an artist and programmer in the team. The four co-directors were young programmers and started the computer animation on their own. The emotions of the story range in a melancholy way from joyful memories to the sad ending.
Now alone and nostalgic, he recollects his past in a dreamlike state before it all fades away. The film portrays the last part of Tony's career, as seen from his own perspective. Philippe Bergeron described the character animation with the words: "… Tony de Peltrie, about a piano player who is recollecting his glory days (…) Tony is not all that life-like in appearance, but the animation is so realistic that by the end of the short, you are really feeling for him.“
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